A schizophrenic result of the encounter between Cinecittà’s pop culture and avantgarde expression, the movie’s inception came when the two authors (Gianfranco Baruchello, a central figure in Italian conceptual and political art of the 20th Century we just introduced on Socks some days ago, and Alberto Grifi, a singular painter, experimental filmaker, editor, artisan…) happened to purchase about 150.000 meters of left footage from US movies from the 1950’s and 1960’s, otherwise destined to destruction